Tag Archives: willem dafoe

“The Florida Project” a portrait of lives too often hidden

Writer-director Sean Baker has always focused on the smaller stories of the smaller people, the underprivileged and often noticed of American society. In “The Florida Project”, his subjects are set against the backdrop of the happiest place on Earth, further illustrating the discrepancies between the haves and the have-nots.

Set over one summer, “The Florida Project” follows six-year-old Moonee (Brooklyn Prince) as she courts mischief with her ragtag playmates and bonds with her rebellious but caring mother, Halley (Bria Vinaite). They live in a decrepit motel under the management of Bobby (Willem Dafoe), who tries to protect his tenants as best he can.

The film does a good job of building through little moments, illustrating how Moonee copes with a mother who is not fit to care for her. The viewer goes through a swing of emotions wondering if Halley should be allowed to raise her given her anger-fueled, psychotic rants. She clearly cares for Moonee, but is that enough?

Willem Dafoe shines in his Oscar-nominated role as Bobby. He is both caring and stern, almost a Dickensian character for the miscreants in his motel.

It’s often easy to forget or ignore the people like Halley and Moonee, especially in a tourist destination like Orlando. Films like “The Florida Project” do a good job of reminding us that life is far from peachy for many.

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“Murder on the Orient Express” is fine but lacks gravitas

Directed and starring Kenneth Branagh, “Murder on the Orient Express” tells the story of Hercule Poirot (Branagh) in one of his most famous cases. When Mr. Ratchet (Johnny Depp) is murdered in the dead of night aboard the Orient Express, everyone in the coach is a suspect. Could it be Miss Debenham (Daisy Ridley)? Or Dr. Arbutnot (Leslie Odom Jr.)? Or perhaps the butler, Edward Masterman (Derek Jacobi)?

The film is a fun, if ultimately forgettable, jaunt into an old time mystery. The movie plays it up hokey at times and it could have done so even more. Keeping things light and campy would have really accentuated the classic sense of the film and harken back to an oldtime era. As it is, the reason behind the movie is more of a mystery. It tries to incorporate modern technique into an old story but comes across as too beholden to the past. Perhaps it is just a vanity project as it is directed, starred in and produced by Branagh.

The cinematography is great and the acting is solid. It’s an enjoyable ride that just glides along the surface. The original 1973 version seems so much more memorable though. It really took time to delve into the characters and the story and focused on the mystery as the driving plot. This film is adequate but lacks muster.