Tag Archives: science fiction

‘The Martian’ a refreshing science tale

Directed by Ridley Scott, “The Martian” tells the tale of Mark Watney (Matt Damon), an astronaut presumed dead and left behind by his crew on the planet Mars after a sudden storm. Only Mark is still very much alive. Tasked with surviving the harsh Martian climate while trying to contact Earth for a rescue mission, Mark uses every scientific tool at his disposal, from creating fertile soil to digging up an old rover to connect with NASA.

“The Martian” feels like the third of a series of resurgent films on space, with “Gravity” (2013) and “Interstellar” (2014) coming before it. In comparison to those earlier films, “The Martian” is the lightest, filled more with the hope of success and scientific wonder than with pontificating on etherealism. So in that way, “The Martian” is more of a good-old-fashioned crowd-pleaser, enjoyable but somewhat more forgettable than “Gravity” or “Interstellar”.

Damon is very good in the title role, narrating what he is doing to a computer screen for record keeping and the rest of cast, including Jessica Chastain, Jeff Daniels, Kristen Wiig, Kate Mara and Michael Peña, are also solid.

What the film does have going for it is a contagious adoration of science. As Mark uses every single item at his disposal to make himself food, transportation and communication, the viewer is tickled to see so many science experiments come to life. In a way, it is the most exciting science fair put to screen, a film Bill Nye himself would stamp with approval.

What’s missing is a personal tug of emotion with Damon’s character. There’s no lover awaiting him on Earth or daughter without a father. His background is not examined and that is a missed opportunity to establish an audience connection, something that really makes you pull for him to get off Mars.

While some will consider the film just a version of “Cast Away” (1999) in space, there is a lot of technique and charm in Scott’s direction of the film. It is a thrilling, if light, ride.

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“Arrival” a poignant sci-fi experience

There’s something to be said for a good sci-fi film. Many people confuse fantasy and horror with sci-fi. “Star Wars” is fantasy. “The Thing” is horror. “Alien” is horror. Science fiction examines the unknown, tying our natural world and technology to the human condition. It usually asks more questions than it answers. It engages us in the way it views mystery and the cosmos. “2001: A Space Odyssey” is science fiction. “Interstellar” is science fiction. “Ex Machina” is science fiction. And “Arrival” is science fiction, and darn good science fiction at that.

Directed by Denis Villeneuve and written by Eric Heisserer off a story (Story of Your Life) by Ted Chiang, “Arrival” stars Amy Adams as Louise Banks, a linguistics professor who is called by the United States government when several alien spaceships descend across the world. Banks must find a way to establish communication with them before the rest of the world goes haywire and carnage ensues.

Language and communication are the foundation for how Adams investigates these creatures and it is thrilling as we view her trying to establish contact. As countries such as Russia and China escalate their paranoia about why the aliens have arrived, the pressure mounts on Adams to figure out what exactly it is the aliens want. To help us? To harm us? One wrong symbol can change the entire course of mankind.

It is especially refreshing to see a film with aliens that is not preoccupied with leveling cities and giving us explosions and battles. “Arrival” examines real-world reality in its science fiction setting. What would China, Russia and the United States do in the event of alien landing? What would the common masses do? How would the pressures build? To see such thought put into a motion picture is nearly a miracle nowadays.

Jeremy Renner as Ian and Forrest Whitaker as Colonel Weber give strong performances, but it is Adams who steals the show. She is able to convey so much with just her eyes, finding the perfect balance between awe, fear and determination.

The ending is near pure cinematic bliss as all the different pieces come together; Louise’s personal journey, what the aliens want, her visions, Ian’s journey, the paranoia of China, whether Louise’s risk-taking was the right move. Without giving anything away, it is the perfect ending of answering some questions, asking a few more and giving us the emotional impact we deserve from a good science fiction film.