Tag Archives: sandra bullock

“Ocean’s 8” hits most of the right notes

The new craze in Hollywood is taking old franchises and rebooting them with an all-female cast. Never mind that this is just another excuse to stay away from original ideas under the guise of inclusion. Or undervaluing the fact that there is just as much discrimination behind the camera as in front of it (“Ocean’s 8” was directed by a man, Gary Ross). Can you imagine a franchise helmed by creative women and men, starring women and men in equal, genre-bending roles and full of inventive, original concepts not based on old franchises or the latest book series? Apparently, Hollywood can’t.

Rant aside, looking solely at the quality of the most recent female-led film, “Ocean’s 8” manages to be a fun, is ultimately less-than-fruitful, ensemble and another interesting heist film.

Debbie Ocean (Sandra Bullock) has just gotten out of jail, but over her five years in incarceration, she has developed a plan to steal the famed Toussaint necklace, valued at $150 million. She gathers together a team, including her old partner, Lou (Cate Blanchett), jeweler Amita (Mindy Kaling), schemer Tammy (Sarah Paulson), pickpocket Constance (Awkwafina), hacker Nine Ball (Rihanna) and costume designer Rose (Helena Bonham Carter). Developing a plan to get noted actress, Daphne Kluger (Anne Hathaway), to wear the necklace at the famed New York Met gala, the team works to enact a tightrope scheme that will make them all rich.

The film follows the heist plot to the letter: hatch the plan, recruit the team, enact the plan, navigate the complications, get out, deal with the twist and savor the winnings. It’s fun yet so familiar as to be boring at times. We know what’s going to come before it happens and though we enjoy watching it, our suspense is placated. A change in routine, especially in comparison to the previous films, would serve the story so much better. Perhaps a mole in the group. Perhaps a gigantic twist in the course of the plan (an even bigger trophy presents itself and the crew changes course). Something that makes the film feel different other than a female cast.

Or perhaps, in true feminist form, the film plays with sexism inherent. There’s a bit where Debbie’s relationship to her ex plays a role in the plot of the film, but this could have been stretched even further. Perhaps we see the backgrounds of other characters as well, treated like dirt in a male-dominated world. The heist then serves as a rebuttal to all the chauvinism they’ve had to deal with, especially considering that what they’re stealing is a diamond necklace, a symbol of princess royalty. If films are going to utilize (some may say pander) to feminism, they should go all out and really drive home feminist ideals.

The other thing the film lacks is a strong heart at its core. We don’t really get to know the crew’s inner demons and personal motivations. Why does Debbie want to steal the Toussaint necklace? Because it’s what she’s good at, she says. That’s not very interesting. If her family had failed to get the necklace in the past and that resulted in their capture, that’d be more interesting. Her motivation is vilification. Or if we saw a flashback of her past when she was young and how she fantasized about having this huge necklace, that would make her journey a childhood fascination. Similarly, we could learn about the backgrounds of the rest of the team and what drives them. Money is just not a very interesting motivator. Finding a deep, psychological driver for the team would really put us behind them and drive our emotions.

“Ocean’s 8” does do a good job of differentiating its characters. They each have a distinct personality, especially Anne Hathaway’s Daphne, and seeing how they bounce off each other is fun. The appeal of all of the “Ocean’s” films is the star-studded cast in a big plot production. There’s Sandra Bullock. There’s Rihanna. There’s Cate Blanchett. They’re doing a heist. It’s fun, and the film meets that level of premise.

A few changes to the plot and a deeper motivation would have really made “Ocean’s 8” a winner. As such, it’ll just have to settle for a fun night out at the movies.

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“Minions” is a boring cashgrab

The appeal of the minions in the Despicable Me series is that they’re funny. When the action and drama takes place, they are there for the comic relief and for a bit of heart as well, reinforcing the emotion of Gru or his adopted daughters. So when they are given their own separate film minus their usual co-stars, something is inherently missing right off the bat. They’re not funny anymore. And that, for an animated film, is deadly.

Minions begins with the formation of the minions, at the dawn of life on earth. They have always sought out the biggest, baddest being to serve, but almost always unwittingly causing their leader’s downfall. They go into a form of self-exile, lost without their life’s purpose. Three minions, Kevin, Stuart and Bob, set out to find a new boss in the summer of 1969. They find Scarlett Overkill (Sandra Bullock) and her husband Herb (Jon Hamm) who stage a plan to steal Queen Elizabeth’s crown.

There was such heavy promotion for the film that nearly all of the best parts have already been seen by the viewer by the time they get to the theater. The result is a harmless and pretty forgettable outing with everyone’s favorite sidekicks.

This is the main problem: the minions are sidekicks. They work best when they are reacting rather than initiating the plot. Viewers will yearn for Gru, Agnes and the others and the emotional pillar they represent. For reference, think to Johnny Depp as Jack Sparrow or the Hulk; they work best as part of an ensemble, a supporting player, not as the main character (to highlight just part of the problems with Pirates of the Caribbean: On Stranger Tides and the two solo Hulk films).

The rest of the film is uninspired. That may actually be worse than being a terrible film; you at least remember a terrible film. Minions is instantly forgotten upon leaving the theater.