In its fifth outing, many find the “Jurassic” franchise lacking in originality and freshness. They’re tired of people running from through the jungle from blood-thirsty beasts. Evolve, change, they say. But the “Jurassic” franchise has never been coy about what it is: an action-adventure romp featuring dinosaurs. That’s what it always will be. No one criticizes James Bond or an Ocean’s movie for not evolving. Movies fit into their genres and reflect variations on a concept. So “Jurassic World: Fallen Kingdom” in general succeeds because it doesn’t deviate from what works and yet it adds some new underlying themes about animal rights and mankind’s responsibility.
The movie picks up three years after the events of the previous film. Claire (Bryce Dallas Howard) is spearing an effort to save the abandoned dinosaurs on Isla Nublar with an upcoming volcanic eruption promising to wipe them out. She gets help from a benefactor, Eli (Rafe Spall), who works on behalf of one of John Hammond’s old partners, Benjamin Lockwood (James Cromwell), to rescue the Velociraptor Blue. This leads her to reconcile with her old boyfriend and dinosaur trainer, Owen (Chris Pratt). Meanwhile, secrets about Eli and the Lockwood corporation begin to emerge, especially regarding Lockwood’s granddaughter, Maisie (Isabella Sermon).
The film is sectioned off in two sections, one on the island to save the dinosaurs and then after the dinosaurs are captured. Unlike “The Lost World” which feels like two different films after a similar return to the mainland, the plot moves forward in a logical sequence to make a concentrated story. It builds off themes hinted at in “Jurassic World” about the rights of animals, corporate ownership and human responsibility. If an animal is created in a lab, does it have the rights afforded other creatures found in nature or is it the property of a company? What responsibility do Claire and Owen have in regards to their ambition overriding their judgment? Why do we have to keep relearning the same lesson about tampering with nature (with current connotations to global warming, warfare, etc.) before we stop doing it?
The film is far from perfect. The characters in general are still rather one-dimensional, especially in regards to the villains, who are cookie-cutter evil businessmen and hunters. Some depth (perhaps a character who changes his mind about his inhumanity a la Roland in “Lost World) would have gone a long way. Both Owen and Claire are given a wider role than in the previous film and their chemistry seems to have grown. Their previously forced-in romance feels natural here as does the weight of their past. Claire in particular is not the frigid damsel, but a fully-developed character who can get stuff done. If only Eli was given a little more development (though it is worth noting that previous films’ villains have also been giving little depth such as Hoskins in “Jurassic World” and Peter Ludlow in “Lost World”).
And the revelation involving Maisie is unnecessary and strange. The whole subplot involving the Lockwood corporation seems tacked on and not important to the overall story. It could have been just as easily any corporation and it would have served its purpose just fine.
The film is a popcorn-munching, high-octane thrill ride that’ll leave most viewers eager for a repeat viewing. The action set pieces are tense and interesting and the film sets up what should be another exciting chapter. Nostalgia still runs deep and drives the franchise too much, but as a solid action movie, it’s worth your money.