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“Pirates of the Caribbean: The Curse of the Black Pearl” Analysis

Director: Gore Verbinksi

Writers: Ted Elliot, Terry Rossio, Stuart Beattie, Jay Wolpert

Cast: Johnny Depp, Orlando Bloom, Keira Knightley, Geoffrey Rush

Synopsis: A cursed pirate crew try to mend their woes while causing havoc, but their ex-captain, the son of one of their deceased crewmen and a wealthy heiress band together to stop them.

  • Special thanks to JoBlo Movie Clips

Protagonist: Will Turner

Desire: Elizabeth Swann

  • Inciting Incident: Elizabeth is kidnapped by Barbossa and his pirate crew.
  • Act One Climax: Will breaks Jack Sparrow out of prison in order to enlist his help to rescue Elizabeth.
  • Midpoint: Will leaves Jack behind and takes Elizabeth back from Barbossa.
  • Act Two Climax: Will acquiesces to Jack’s plan to break him out from Barbossa’s grasp and save them all.
  • Act Three Climax: Will tells Elizabeth he loves her.

Other Storylines:

Jack

Desire: The Black Pearl

  • Inciting Incident: (Off-Screen) Jack is abandoned on an island after Barbossa steals his ship.
  • Act One Climax: Jack uses Will as leverage to get his ship back.
  • Midpoint: Will betrays Jack and leaves him with Barbossa.
  • Act Two Climax: Jack devises a plan to save Will and defeat Barbossa.
  • Act Three Climax: Jack gets the Black Pearl back.

Elizabeth

Desire: Break free from the societal shackles placed upon her

  • Inciting Incident: Norrington proposes to Elizabeth.
  • Act One Climax: Elizabeth negotiates with the pirates to save Port Royal.
  • Midpoint: Elizabeth saves Jack and her when they are abandoned on a remote island.
  • Act Two Climax: Elizabeth accepts Norrington’s proposal.
  • Act Three Climax: Elizabeth chooses Will over Norrington.

Barbossa

Desire: End the Curse

  • Inciting Incident: (Off-Screen) Barbossa and his crew steal cursed treasure and suffer the consequences.
  • Act Once Climax: The Black Pearl destroys Port Royal, kidnaps Elizabeth and captures the last missing piece.
  • Midpoint: Elizabeth is revealed to be the wrong person they need and the lose their hope.
  • Act Two Climax: Barbossa kidnaps Will and returns to the island to end the curse.
  • Act Three Climax: Jack shoots Barbossa as the curse ends.

Norrington

Desire: Maintain the law and his place in society

  • Inciting Incident: Norrington decides to rid the world of pirates and secure his rank.
  • Act One Climax: After beating back most of the pirates of the Caribbean, he asks Elizabeth to marry him.
  • Act Two Climax: Elizabeth agrees to marry him in exchange for rescuing Will.
  • Act Three Climax: After Elizabeth turns him down for Will, he relents in order to do the right thing.

Jack’s Crew

Desire: Get their own ship

  • Inciting Incident: (Off-Screen) Jack enlists a crew.
  • Act One Climax: Jack promises a ship in exchange for their help.
  • Act Two Climax: The Interceptor is destroyed and the pirates are captured.
  • Act Three Climax: Elizabeth saves the crew and they take the Black Pearl without Jack.
  • Act Four Climax: The pirates return to save Jack at the gallows.

Themes:

  • The Representation of Piracy: The definition of piracy is in flux throughout the film. At the beginning, under the harsh critique of Captain Norrington and Governor Swann, pirates are seen as vile creatures of evil. This is reinforced when the pirates of the Black Pearl attack Port Royal. However, as the audience gets to know Jack, a new form of pirate begins to emerge; the image of the pirate as a good man. Piracy then becomes a moniker for freedom while Barbossa and his crew instead are realized as monsters consumed by greed. Greed then is the ultimate evil.
  • Moral Fortitude Versus the Rule of Law and Order: Norrington and his world represent the harsh realities of law and order, unbending no matter the circumstances. Elizabeth’s world believes in strict social classes, propriety and set matches, represented by her stagnant proposal to Commodore Norrington. The pirates of the story soon reveal a world capable of love, courage and morality, oftentimes at odds with the world of law and order. These quandaries come to a head over the course of the story.

Scene Breakdown:

  1. Prologue on the Seas
    • Action: Young Elizabeth sails on her father’s ship with a full crew. She sings about pirates and remarks how fascinating it would be to meet one. She spots young Will Turner floating in the water and the crew brings him aboard. A ship lies decimated in flames nearby. Turner wears a pirates medallion on his neck, which Elizabeth takes to protect his identity.
      • This scene sets up Elizabeth’s character. She is the prim and proper daughter of a lord, yet she sings about pirates and is fascinated with danger, setting up her contradiction. She is pulled between both worlds, the world of respectability and the allure of piracy and adventure.
      • Norrington and Governor Swann are also established here. We learn that Norrington hates pirates and wants to see them eradicated. Swann just wants to keep his daughter safe. They represent the path Elizabeth is seemingly destined for; the security of father to future fiance.
      • Norrington Inciting Incident: Norrington desires to rid the seas of pirates and secure his ranking in the social hierarchy.
  2. Ceremony Morning in Port Royal
    • Adult Elizabeth wakes up in her room. She still has Will’s pirate medallion, drawn to it for some reason. Her father bursts in and gives her a new suffocating dress that he wants her to wear to Norrington’s promotion ceremony. Adult Will stops by to deliver the ceremony sword he crafted. He is stiff and awkward with Elizabeth, unable to call her by her first name and just addressing her as Miss Swann.
      • Now in the present, we can see how these characters are still very much in their shackles of propriety. Elizabeth is still pampered by her father who buys her dresses and pushes her towards a lifestyle of respectability without adventure. Though she yearns for a more exciting life, Elizabeth is very much a girl, unable to break through and become a woman. This is represented by the corset she wears, the binds of her life suffocating her.
      • Will has become part of this social world if still on the outside somewhat. He breaks an ornament in Swann’s entryway, showing that he doesn’t quite fit in with this facade, and he is suppressing his true self. He is down on the social hierarchy, unable to meet Elizabeth as his equal despite his feelings for her. Both he and Elizabeth are trapped in their roles, heiress and blacksmith, unable to break free.
      • Norrington and Elizabeth Inciting Incident: Norrington lets it be known through Governor Swann that he wants to marry her
  3. Jack’s Arrival
    • Jack Sparrow arrives in Port Royal. He bids respect to hanged pirates dangling at the opening of port. His boat sinks as he arrives and he pays the attendant to not record his name. He tries to commandeer a ship out of the harbor from a pair of bumbling guards.
      • Sparrow’s arrival establishes his character; he’s a pirate and he’s charismatic though he’s prone to bad luck and is a bit of an imbecile. His swagger makes him a sympathetic though not quite empathetic character.
      • This is also our first mention of the Black Pearl, setting up its appearance for later. Jack’s Inciting Incident, as we will learn later, has already taken place.
  4. Elizabeth Falls off the Ledge
    • Commodore Norrington proposes to Elizabeth who, suffocating in her dress, falls off the edge of the pier into the ocean below. The gold medallion still around Elizabeth’s neck sends a shock wave when it hits the ocean floor, alerting the Black Pearl to its whereabouts. Jack Sparrow jumps in and saves her, bringing her back to the surface. Norrington meets them on the pier and recognizes Jack as a pirate. Jack then takes Elizabeth hostage and bargains until he is able to run away.
      • Norrington’s proposal to Elizabeth is what she has dreaded. Her acceptance would mean her acquiescence to a life without adventure.
      • Jack’s good deed in saving Elizabeth shows that he is in fact not a villain, but in using Elizabeth to escape, he shows that he uses villainous deeds to achieve an end.
      • Elizabeth Inciting Incident: Norrington’s proposal presents her with the choice of choosing security or seeking adventure.
      • Norrington Act One Climax: Norrington’s proposal would secure his social ranking.
  5. Jack and Will Meet
    • Jack takes refuge in Will’s shop. They swordfight, and Jack is captured.
      • More of Will is examined here, pitted against Jack’s character. We learn that he is admirable because he stands up for Elizabeth’s honor. He is courageous as he doesn’t back down to Jack’s threats. His skill in swordfighting bodes well for the rest of the story. His desire to protect Elizabeth’s honor is a setup to the lengths he is willing to go for her.
  6. Elizabeth Thinks about the Proposal
    • Elizabeth and her maid discuss the day’s events. The maid voices what is on Elizabeth’s mind: she is in love with Will.
      • This scene reinforces what the audience already knows: Will and Elizabeth should be together, even if they don’t want to admit it to themselves. The fact that even the maid sees it is evidence enough. Her interaction with the maid also underscores her life: she is pampered and princess, a distinct social class above the commoner. She must overcome her naivete to survive in the plot to come.
  7. The Pearl Attacks
    • The Black Pearl appears in the harbor, launching a barrage of cannonballs. Will fights in the streets. Two pirates kidnap Elizabeth. Other pirates leave Jack Sparrow for dead.
      • The dramatics of the battle highlight the deadliness of the pirate crew. They are vicious, killing at will, laying waste to the town. Their appearance is ragged and coarse, animalistic almost. These are the evil pirates we were promised at the film’s opening.
      • The interaction between Jack and the pirates highlight a bit of his mysterious backstory. They know each other. How? Jack remarks with surprise that there is a curse when he sees the bone arm of one of them. What does that mean? These are all setups to later payoffs in the story. For now, they just intrigue the viewer and leave them with questions.
      • Will Inciting Incident: Elizabeth is captured
  8. Elizabeth Meets Barbossa
    • Elizabeth negotiates with Barbossa to leave Port Royal. Barbossa keeps her prisoner.
      • Our first interaction with Barbossa reveals several characteristics of his character. He’s smarter than you would think, using long words that match Elizabeth’s. He has the respect of his crew as they follow his rules to the letter. And he is also not a bloodthirsty animal as others would believe. He treats Elizabeth fairly even though he is under no obligation to do so. He keeps his word to cease the attack on the port. Barbossa’s Inciting Incident has occured off-screen and is revealed later.
      • Elizabeth Act One Climax: Elizabeth proves her hidden inner strength by negotiating with Barbossa to save the port.
      • Barbossa Act One Climax: Barbossa sets sail back to Isla de Muerta to cleanse his curse after capturing the final cold piece and the blood to be repaid.
  9. Will Gets Angry
    • Will wakes up the next morning after being concussed and confronts Norrington on how to rescue Elizabeth. He gets nowhere with him.
      • Will shows his first signs of anger as he worries about Elizabeth. His concern leads him to a risky proposition: asking Jack Sparrow for help. While Norrington tries to stay within the law, Will’s deference to go straight to piracy shows his inner pirate nature.
  10. Will Joins Forces with Jack Sparrow
    • Will bursts Jack out of prison in return for his help to hunt down the Black Pearl and save Elizabeth.
      • Jack remarks himself how Will seems to be gunning towards piracy despite Will’s denial. The audience senses that Jack is up to something behind his deal, instituting another setup with an eventual payoff.
      • Jack Act One Climax: Jack commits to his own secret plan to reclaim the Black Pearl.
  11. Will and Jack Steal a Ship
    • Will and Jack creatively steal the Interceptor out from under Norrington’s nose and set sail after the Black Pearl.
      • With a clear goal in mind, Sparrow ceases to be a bumbling dolt and instead shows his inner pirate savvy. What once appeared to be a doomed trek involving an out-of-his-prime pirate and a blacksmith suddenly seems like a decent proposition.
      • Will Act One Climax: Will commits to the adventure of rescuing Elizabeth and sets sail after her captors.
  12. Will Learns about his Father
    • Will reasons that Jack knew his father. Jack tells Will that his father was a pirate and a good man. Will, refusing to believe him, draws his sword, but Jack convinces him to keep on going.
      • The knowledge that Will’s father was a pirate gives him added purpose. He must not only rescue Elizabeth, but now prove that he is not a pirate even though he feels the pirate within him. Now confronted with the truth, he must grapple with both sides of himself for the rest of the narrative. Is Will a pirate, a good man or both?
  13. Tortuga
    • Will and Jack recruit Gibbs in the hopes of putting together a crew. Gibbs questions Jack about his motives and Jack reveals that he is going to leverage Will to get his ship back. Will overhears this.
      • Jack’s personality reveals itself again as the audience realizes he is just using Will as a means to an end. So while he indeed is not a villain, he is not a good Samaritan either. In terms of mythic symbols, Jack would be considered a trickster, always keeping you guessing as to his motivation.
      • We still don’t know Jack’s motivation for taking the Black Pearl, but his need for it points towards something beyond just desire and towards obsession. This is personal for him.
  14. Elizabeth Aboard the Black Pearl
    • Barbossa explains to Elizabeth the curse upon them. She doesn’t believe him until she sees the zombie bodies of the pirate crew. She hides in her room, terrified.
      • Barbossa again presents himself as a sympathetic villain. He offers Elizabeth a dress to wear at a fancy dinner. He isn’t cruel to her. All he wants is to end his suffering and eat apples, something very relatable. We also understand his inciting incident, presented off-screen.
      • This serves as wakeup to Elizabeth. All her pampering is useless to her when confronted with the undead. And she learns that the pirates are likely to kill her. She must emerge stronger after this encounter in order to survive.
      • This scene also raises the dramatic stakes for Will and Jack. With us knowing that the ship they now hope to confront is driven by unbeatable zombies, we fear for their failure.
      • Barbossa Inciting Incident Revealed: (Off-screen) Barbossa and his crew have been cursed by treasure and must collect the treasure to end it.
  15. Assembling the Crew
    • Gibbs presents his crew of misfits to Jack and Will. They are an unimpressive lot. A terrible storm them about as they take off after Barbossa, but Jack smiles knowing that they’re catching up.
      • The strange crew, after the previous scene of undead pirates, further illustrates the dire situation plaguing Jack and Will. How could this group of miscreants deal with the formidable Black Pearl pirates? Jack’s determination to push through the storm shows his growing obsession with getting the Pearl back.
      • This scene also introduces the last subplot: Jack’s pirate crew. They desire a ship to call their own.
      • Pirate Crew Inciting Incident: (Off-Screen) Jack promises a ship to Anna-Maria, but reneges on the deal.
      • Pirate Crew Act One Climax: Jack promises the crew a new, better ship.
  16. Jack’s Backstory
    • As the Interceptor approaches the Isla de Muerta, Gibbs tells Will that Jack was captain of the Black Pearl and divulges how he was mutinied against by Barbossa and left abandoned on an island. Jack and Will go ashore towards the Black Pearl.
      • Jack’s personal story reveals his reasons for going after the Black Pearl. Betrayed by his crew, he will stop at nothing to get his ship and reputation back. His personal stake is what drives him and is his off-screen inciting incident.
      • Jack Inciting Incident Revealed: (Off-Screen) Get the Black Pearl back after the mutiny.
  17. The Ordeal in the Cave
    • As Jack and Will approach the pirates, Jack remarks how close Will is to piracy now, especially with his obsession for treasure, namely Elizabeth. The pirates perform the ceremony to end their curse, but it doesn’t work as it’s not Elizabeth whose blood they need, but Will’s. Will knocks out Jack before he can bargain him over to Barbossa, and he secretly sneaks Elizabeth away when the pirates are busy infighting. Jack is taken capture by the pirates.
      • All the storylines converge here at the midpoint of the film. Will gets his desire for the time being in Elizabeth, Elizabeth is saved, Jack loses his ability to take back the Pearl and Barbossa’s hopes of being cured are dashed.
      • After this encounter, the means and motivations of all the main characters change. Jack must negotiate his way out of death, Will and Elizabeth have to escape and Barbossa must find another means of ending the curse. The course of the story has changed.
      • The midpoint is also the moment when the main character must examine his or herself. Will, confronted with ever mounting evidence that he is turning into a pirate more and more, chooses to leave Jack behind, perhaps fearful that staying with him will eventually lead to piracy, a form of destiny he dreads. At the conclusion of the film, when given another opportunity to leave Jack behind, he will evolve to do the right thing, having accepted his parentage.
      • Will Midpoint: Will saves Elizabeth, his goal, and now must keep her safe.
      • Elizabeth Midpoint: Elizabeth is safe and must keep herself safe.
      • Barbossa Midpoint: Barbossa must find another means of ending his curse.
      • Jack Midpoint: Jack’s original plan fails and he must now find another way to get the Pearl back.
  18. Jack Negotiates
    • Jack negotiates with Barbossa to spare his life in return for telling him the name of Bootstrap Bill’s child.
      • Jack, ever the resourceful pirate, finds a way to cheat death again. His ability to stay alive adds to his endearing qualities and makes him endlessly fascinating: the viewer will keep wondering, how will Jack get out of this one as the situations grow more and more dire for him?
  19. Will and Elizabeth
    • Will helps Elizabeth with her wound from Barbossa. She gives him the gold medallion she had kept from him. Will realizes that the pirates will come after him because he is Will Turner’s son. He is angry at his parentage.
      • This is the first time Will and Elizabeth are alone together without the confines of the stuffy societal world. They are free to act as they wish and have changed over the course of the story. They are more open with each other, and their actions towards each other influence their behavior. Will, having gone through his ordeal to get to her, knows in his heart that he wants her. Elizabeth, knowing more about the underbelly of the world and the journey Will must have gone through to rescue her, knows what he feels for her. They are close to intimate, but the truth of Will’s parentage stops him from having her. He feels tainted for being of pirates’ blood and unworthy to have her.
      • In order for Will to succeed and earn his desire (Elizabeth), he must now overcome his internal fears of being a pirate. Only by believing that pirates are capable of being good men can he see himself as a good man and worthy of her.
  20. Barbossa and Jack Negotiate
    • Jack bargains with Barbossa for Will’s name in exchange for the ship. Barbossa, however, has caught up to the Interceptor and is willing to try it alone for the time being.
      • During the scene, Jack eats one of Barbossa’s apples, infuriating the pirate as they try to one-up each other in negotiations. It’s an interesting dynamic of Jack using the one thing Barbossa is endlessly craving, the bite of an apple, to get under his opponent’s skin. But Jack, still having somewhat of a heart, tries to save Will and Elizabeth at a time when Barbossa’s bloodlust after the debacle with the treasure has grown. It proves his undoing.
  21. Sea Chase
    • The Interceptor and the Black Pearl square off. The Interceptor and its crew are captured.
      • The battle involves Will and Elizabeth using their cunning and intellect to try and outsmart Barbossa. With everything they have learned, they put up a good test, but fall short against a far superior foe. Hope appears lost for all.
      • Pirate Crew Act Two Climax: The crew are captured and the Interceptor destroyed.
  22. Will Survives
    • After seeming left for dead aboard the Interceptor, Will emerges alive and bargains with Barbossa for the lives of Elizabeth and the crew.
      • Will’s desire to save Elizabeth must again be rekindled as she and everyone else are again captured. Barbossa regains the upper hand, but Will negotiates the survival of everyone, though not quite to the effect he had hoped for. His fate is suddenly taken out of his hands.
      • Barbossa Act Two Climax: Barbossa now has the final piece and the blood he needs and sails back to end his curse.
  23. Jack and Elizabeth are Marooned
    • Jack and Elizabeth walk the plank and end up on a deserted island.
      • The characters are now all at rock bottom. Jack watches his ship sail off. Elizabeth loses Will and Barbossa has everything he wants. The characters must devise a way out of their situation to survive.
      • Will is now no longer leading the action as he is Barbossa’s prisoner. Jack has no means of escape. It is up to Elizabeth, who must prove her inner strength, to save the story.
  24. Jack and Elizabeth on the Island
    • Jack gets drunk on the island as Elizabeth devises a plan to gain the notice of the Royal Navy. Her huge fire gains the attention of a searching Norrington.
      • Jack reveals a bit more about himself to Elizabeth, and in effect, to the audience. We see that it’s not just revenge that drives him to take back the Black Pearl, it’s what the ship represents to him. It’s freedom away from the rules, something that Elizabeth can relate to.
      • Hope is restored as the pair are found. Elizabeth’s resourcefulness shows how she is growing over the course of the story.
      • Elizabeth Midpoint: Elizabeth again proves her ingenuity by rescuing her and Jack.
  25. Elizabeth Negotiates with Norrington
    • Hoping to save Will from the pirates, Elizabeth bargains with Norrington and has to agree to marry him in order for him to send out a search party for Will and Barbossa.
      • Knowing what Will did to save her, Elizabeth must now do the same for him. In effect, as he proved his love to her, she must reciprocate that love. However, the cost of saving Will dooms her to a life of safety without adventure. Though enacted out of love, it seems that nothing can stand up to the power of law and order.
      • Elizabeth Act Two Climax: Elizabeth’s decision to marry Norrington to save Will seemingly seals her decision to stay with the civilized world over her love of adventure.
      • Norrington Act Two Climax: Elizabeth’s agreement to marry him gives him what he wants.
  26. Will Learns about his Father
    • Will learns that Barbossa murdered his father when he tried to defend Jack.
      • Will is given extra motivation against Barbossa when he learns that Barbossa is responsible for his father’s death. Not only that, but hearing how his father defended Jack and tried to be a good man gives Will another perspective on piracy. As his interactions with Jack are beginning to show, perhaps being a pirate does not equate necessarily to evil.
  27. Jack Comes Up with a Plan
    • Jack negotiates with Norrington, getting a pontoon of his own to go and talk to the pirates.
      • Knowing Jack’s history of backdealing, the audience is anxious to see what Jack’s next move will be. We know he is adept at looking out for himself, so seeing how he maneuvers to get what he wants (the Pearl) while not compromising his conscience is fascinating.
      • Jack Act Two Climax: Jack sets in motion a plan that may give him the Pearl and save Will.
  28. Jack Manages his Final Plan
    • Jack gets Barbossa to spare will for the time being in exchange for knowledge about Norrington’s men.
      • There are subtle clues to Jack’s plan. He doesn’t fulfill what he told Norrington to his full extent, he takes a pirate coin without anyone knowing and he has Elizabeth locked up on her ship. This is the final play, what will determine whether the heroes succeed or fail. And his plan will finally answer the question of whether or not Jack is solely in it for himself or a team player.
      • Will is a passive player in his second act climax, but his silent agreement to go along with Jack’s plan locks in his decision.
      • Will Act Two Climax: Will trusts in Jack’s plan to beat Barbossa.
  29. The Battle Begins
    • The Royal Navy and pirates fight as Jack turns on Barbossa and frees Will.
      • We now realize that Jack has been on the side of good the whole time. He indeed has a good heart and is trying to save Will. With the final plan in place, it is now a do-or-die effort to defeat Barbossa and his crew.
  30. Elizabeth Saves the Crew
    • Elizabeth leaves her quarters and rescues the crew from the Black Pearl.
      • Elizabeth leaves her father as he preaches to her about her duties. This represents her officially leaving his dutiful side and trying to save Will herself, symbolically leaving her old life behind. She is no longer scared of the ghost pirates, throwing Jack the monkey overboard, showing her inner growth over the course of the story. She frees the crew and proves her worth as she has grown over the course of the film.
      • Pirate Crew Act Three Climax: The crew get the ship they’ve desired and leave Jack behind.
  31. Jack, Elizabeth and Will End the Curse and the Battle
    • Jack shoots Barbossa as Will drops the last coin in the treasure with his blood. Barbossa dies and the battle ends.
      • Barbossa’s journey ends in defeat. His only desire, to feel something, dies with him as he drops the apple he was going to eat. The script created a sympathetic villain with his character. He was relatable in his desire to feel simple pleasures and in how he was a man of honor. It adds greater depth to the story rather than him being a write-off villain.
      • Barbossa Act Three Climax: Barbossa dies short of his goal.
  32. Aftermath of the Battle
    • Even though the heroes seemingly have won, they have to now deal with the consequences of returning to the real world. They leave the world of piracy and freedom and return to society where Elizabeth must marry Norrington, Jack must be hanged and Will is a lowly blacksmith.
      • The experiences the characters have gone through have changed them to alter their destinies. Even though they are seemingly back to where they were before Barbossa’s arrival, their bonds give them the courage to change their futures.
  33. Will Saves Jack at the Gallos
    • Will tells Elizabeth he loves her before rushing off to save Jack at the gallows.
      • At the beginning of the story, Will was terrified of letting Elizabeth know his feeling towards her. She was part of the upper class of society and he was intimated by the disparity between them. He was fearful of presenting his feelings because he was unaware of his place in the world, between losing his mother and not knowing his father and feeling conflicted about his identity. Over the course of the story, he has learned of his father’s history and accepted his pirate ancestry. This acceptance gives him the courage to seek out what he has always wanted (Elizabeth) and to save Jack, a mentor of sorts who has taught him of acceptance.
      • Will Act Three Climax: Will professes his love to Elizabeth while standing up to law and order, accepting his place in the world, and completing his quest.
  34. Elizabeth Chooses Will
    • Will’s break out of Jack fails and it seems like both he and Jack will fall to Norrington until Elizabeth lets her feelings be known about Will. Norrington relents in his quest for Elizabeth and Jack escapes.
      • Elizabeth, gaining strength of her own over the course of the story, faces her decision: stay in the world of propriety or go with her heart. Having gained courage over the course of the story by fighting Barbossa and seeing the love Will has for her, she chooses to love Will and therefore completes her journey from frightened princess to independent lover.
      • Norrington’s journey ends here as well. When presented with Elizabeth’s choice of Will over him, he must then decide his own destiny: arrest Jack and Will and hurt Elizabeth beyond repair or let the criminals go free and compromise his ethics. Having seen how Will and Jack saved Elizabeth by going outside the law, he chooses to let Jack escape and to let Will love Elizabeth. His internal battle between morality and duty concludes with him turning a blind eye this one time.
      • Elizabeth Act Three Climax: Elizabeth, having proven her ability to stand up for herself across the length of the story, finally chooses the direction for the rest of her life.
      • Norrington Act Three Climax: Norrington chooses to bend his conscience for the greater good after being presented with pirates who are not evil.
  35. Jack Escapes to the Black Pearl
    • Jack’s crew returns to rescue Jack who sails off towards the horizon.
      • The final scene of the film gives Jack what he has long-sought: the Black Pearl. It is the loyalty of the crew that delivers him his goal and his journey is complete with them.
      • Jack Act Three Climax: Jack gets the Black Pearl back.
      • Pirate Crew Act Four Climax: The crew break their code and help Jack.

Conclusion:

“Pirates of the Caribbean: The Curse of the Black Pearl” is an exciting film that features some great performances, builds some solid characters and is a cut above the normal blockbuster fare. However, there are a few script changes that could have produced a stronger story.

The protagonist of Will is a little boring in comparison to the much more charismatic Jack and Barbossa and his internal struggle is pretty pedantic. His repulsion of his pirate heritage needed to be more explored in the film’s opening. Showing Barbossa and his crew and their evilness in the film’s beginning would scar Will and Elizabeth for life. Elizabeth would feel much more compelled to take Will’s medallion to keep him safe. Will would face a much stronger moral conundrum about breaking Jack out of prison and the audience would question Jack’s morals more throughout the course of the film.

Will’s storyline also needs him to be more active at the film’s conclusion. It is Elizabeth’s and Jack’s decisions that determine the outcome of the story. It should be Will’s plan, him being the protagonist, that saves the day and his ingenuity would prove his inner pirate nature, having learned from Jack, and confirm that being a pirate is not necessarily evil. And we are then missing that scene where Will decides to accept himself in between the end of the battle and his attempt to save Jack.

It would go something like this: Will watches Jack led away in shackles back to the prison at Port Royal. He sees Elizabeth courted away by Norrington. He is conflicted as he returns to the blacksmith shop and looks over the old place he calls home, a place he doesn’t feel he belongs in anymore. He wrestles with what to do and decides to send a message to Gibbs and hatches an escape plan. He accepts his piracy by donning his new outfit and goes to save Jack on the day of his hanging. This would firmly show Will’s change from lowly blacksmith to freewheeling pirate.

In addition, Elizabeth is often relegated to the sidelines and feels a bit underwritten. She joins in the action and shows some bravura, but her character is rather flat, and she is more representative of “feminine hero” rather than a fully fleshed out character.

The true stars of the film are Barbossa and Jack. They are engaging, iconic and serve as the true spirit of the film against the rather bland Will and Elizabeth. Their originality makes “Pirates” a memorable film.

In conclusion, “Pirates” is an above-average film that stands remembered for a few of its characters, well-managed action scenes and strong visuals.

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The film feels more like an excuse to photograph lavish set design as its story is exactly the same as the animated film. Right down to the jokes pretty much, there is nothing new in this film, and the end result is that the movie is boring. You know what’s going to happen exactly as it happens. So while it’s pretty to look at, that’s no excuse for good story.

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In conclusion, the film is less a film than a mass marketing enterprise. It sells nostalgia instead of ingenuity. It sells it well though. The film has grossed half a billion dollars in the United States. Instead of nothing ventured, nothing gained, Disney has finally achieved nothing ventured, millions gained.

 

‘Captain America: Civil War’ a strong entry in MCU

It seems as though a new superhero movie is coming out every few weeks. Most of them pass by and out of memory just as quickly as they came, but there are a few superhero films that stand above the rest, that peak more interest than the normal reboot/sequel, and fans had circled “Civil War” on their calendar ever since it was announced.

Directed by Joe and Anthony Russo, the film features Steve Rogers/Captain America (Chris Evans) struggling to keep the Avengers together as the government cracks down on their exploits as civilian casualties pile up. Tony Stark/Iron Man (Robert Downey Jr.) is in favor of registering with the United Nations and the proposed Sokovia accord, but Steve is not sure. When his friend Bucky/the Winter Soldier (Sebastian Stan) is implicated in a terrorist plot, the Avengers fracture between those siding with Captain America and maintaining their independence and those siding with Iron Man and starting public accountability.

Some of the action scenes are a bit nauseating as shaky cam takes over in place of actual dynamic action, but the set piece between the two rival teams of superheroes is one of the greatest in any superhero film; fun, interesting, action-packed and dramatic.

Marvel has always had a problem with maintaining dramatic stakes in its films. They are not going to kill off Iron Man or Captain America (they are worth billions of dollars) so how do you keep a movie engaging when there is literally no chance of your heroes biting the bullet? “Civil War” solves this issue by focusing on the relationship between Captain America and Iron Man. The characters may not die, but the relationship between them may come apart and the audience is kept interested by focusing on how Steve Rogers and Tony Stark develop as friends, turn enemies and how they will ultimately end.

Captain America is not a complex character. It is difficult to give him an internal dilemma and once he makes his decision in “Civil War”, there is not a lot going on internally. This is a detriment, but not a fatal one for the film. His actions serve as a counterpoint and seeing how far he is willing to go to maintain his friendship with Bucky and his independence is engaging enough.

And no MCU film has quite gone to the lengths of digging deep into the character’s soul a la Batman in Christopher Nolan’s “The Dark Knight” trilogy. Doubtless this is to keep the audience as wide as possible, but there are moments for “Civil War” to go a bit deeper, especially with Iron Man in particular. With Pepper Potts (Gwenyth Paltrow) out of his life, guilt plaguing him and his best friend leading a resistance against him, the film suggests the depths of his sorrow, but could go even deeper, perhaps hinting at his alcoholism as it does in the comics. It is a wasted opportunity to build some escalating themes into his character.

For those who enjoy the MCU films, “Captain America: Civil War” will be an enjoyable experience, one of the best of entries alongside “Avengers” and “Guardians of the Galaxy.” But for those who have issues with the previous MCU films, those issues (lack of deep character revelations, franchise-building, cluttering narratives, uninteresting villains- though that is better in this film) will find more to complain about to some degree.

But kudos to the studio for making “Civil War” more than just another superhero film. There’s heart, fun and dynamism here.

‘Zootopia’ a deeper Disney flick

The theme of just about every Disney movie is “follow your dreams.” It’s sweet, timeless and, by now, pretty boring. So it is great that with “Zootopia”, the filmmakers haven’t abandoned that concept but added a much-needed dose of reality and racial diversity into the equation.

“Zootopia” tells the story of Judy Hopps (Ginnifer Goodwin), a young bunny who dreams of being a police officer in the sprawling city of Zootopia, a place where predator and prey live together in peace. There has never been a bunny cop before, and she faces all sorts of prejudice for being perceived as less than bigger animals. As she tries to prove herself, she meets a sly fox named Nick Wilde (Jason Bateman), a con artist she enlists to help her get to the bottom of a case of disappearing predator animals.

The story takes a film noir approach (with a child-appropriate tone) towards the investigation and examines some poignant race-relation issues in the world today. The discrimination of predator to prey and prey to predator imbues the story with a deeper level of meaning than that of a standard Disney film. The characters must work through their own prejudices of the world to gain true understanding.

Real time and energy went into making the film not only fun and entertaining, but also different and deeper. It’s great to see an animated film, especially from Disney, tackle some prominent modern-day issues.

“Zootopia” is one of the better films of the modern Disney era. It is fun, insightful, heartfelt and memorable.

‘Moana’ beautiful, fun

Boasting beautiful animation, an engaging (if familiar) story and strong musical numbers, Disney’s Moana is an enjoyable cinematic experience.

Moana (voice of Auli’i Cravalho) is destined to lead her Polynesian island community, but the island’s resources are drying up. The sea calls to Moana, who must embark on a quest to return the heart of the goddess Te Whiti before the darkness overwhelms her home. She enlists the help of the demigod, Maui (voice of Dwayne Johnson).

Directed by the duo of Ron Clements and John Musker (past credits include Aladdin, The Little Mermaid, The Princess and the Frog among others), the film features several of the traditional Disney tropes: a princess, the bumbling sidekick, the quest, nature as a guide, the biased father-figure, the helpful grandmother. But while the story is rather so-so in terms of creativity, the songs and the visuals are great. The water in particular looks terrific and Lin-Manuel Miranda’s tunes are sure to stick in your head for better or worse long afterwards.

The film does an excellent job of really utilizing its location to tell its story. You can practically smell the sea-breeze off the screen. It is to Musker and Clement’s credit that they imbue the film with such energy and really bring Polynesian culture to life.

When given the choice between the familiar told well or the unfamiliar told poorly, telling stories smartly always wins. While Moana is nothing that new, it is fun, it is enjoyable, and it is another strong Disney entry in its recent revival (started not-so-coincidentally when John Lasseter took over as head of Disney animation).

‘Rogue One’ explosive but lacks soul

Are you ready for a “Star Wars” movie every year until the end of time? Disney is. After rebooting the franchise last year with “The Force Awakens”, the next film in the series deviates from the Skywalker storyline and focuses on a Rebellion troop who manage to secure the plans for the Death Star and deliver them to Princess Leia.

The story follows Jyn Erso (Felicity Jones), a renegade whose father, Galen (Mad Mikkelsen), was forced to build the Death Star by the Empire. Meeting up with Cassian (Diego Luna), a member of the Rebel Alliance and a few other allies, she intercepts a message from Galen that contains information on how to destroy the weapon. She and her team must retrieve the plans before the superweapon is operational.

The action is strong and exciting, the last thirty or so minutes of the film a breakneck war film that recalls memories of “Saving Private Ryan” and “The Dirty Dozen.” It is refreshing to see a darker tone and something a little bit different.

However, when confronted with a story where the audience pretty much knows the ending, the filmmakers have to establish a basis for the audience to care. That starts with strong and empathetic characters, but there is nothing particularly compelling about Jyn. The story is a simple stop-the-bad-guys type of affair, which by itself is pretty boring. Jyn and her rebel friends really need something to drive them internally.

For example, take a look at “Guardians of the Galaxy.” The film’s conclusion is about an army trying to save a planet from a warlord trying to destroy it, but that is not really what it’s about it. It’s about a team of losers who have been alone for so long and have found friendship and are willing to make the ultimate sacrifice for each other. We are given time to really know them and to understand their fears and desires, what has held them back, what they want in life and they build off each other.

In “Rogue One”, we are rushed through from scene to scene, never quite identifying with Jyn or Chirrut (Donnie Yen) or Saw Gerrera (Forrest Whitaker) or any particular character. We don’t really understand their past or why they are fighting for the Rebellion so the resolution to the story lacks meaning and emotional punch.

Perhaps Jyn’s father was a loyal Imperial and she has to correct his evil deeds (similar to Luke in “Return of the Jedi”). Or she has been running her entire life from responsibility and ditches the fight only to be lured back at the end (similar to Han in “A New Hope”). Perhaps Cassian was a stormtrooper who couldn’t stand the killing anymore. Perhaps Chirrut and Baze (Wen Jiang) lose their home to the Empire after it begins ethnic cleansing and want to take revenge. We just need a little backstory to care.

It’s a shame because there is so much that “Rogue One” does right. It’s direction and visual style are strong, it’s action scenes are top-notch, the premise is precise and interesting and it elaborates on the “Star Wars” mythos. But without a heart behind it all, it is just a pretty facade.

Oh please, Disney. Don’t…

After the success of “Maleficent”, last year’s “Cinderella” and this year’s “The Jungle Book”, Disney has revamped their efforts at turning their animated classics into live-action films. So, if you’ve always been dying for a live-action version of “The Fox and the Hound”, hey, that is now a distinct possibility.

While the quality of these movies is not terrible, they are still unoriginal cash-grabs meant purely for reliving the glory days of yesteryear, not creating original and exciting films.

Which of the future planned live-action reboots is the worst idea? In this edition of “Oh please, Disney. Don’t”, let’s count them down.

14. Mulan

Admit it. You want to see a live-action Mongol horde attack an ancient Chinese city where the villain is blown up by fireworks. And the chance to see a strong heroine with a small, CGI dragon companion at her side. Unlike a lot of the entries on this list, “Mulan” is rife with possibilities of exploring Chinese culture and giving us something different than the whimsical fairy tale, sing-a-long so often exploited by Disney. Will they actually create something unique out of the source material? Who knows, but the possibilities are stronger than with any other property.

13. The Jungle Book 2

“The Jungle Book” was a fine, if unoriginal, film. It was one of the biggest hits of the year. A sequel’s been planned because, you know, more money. Of course, there wasn’t really a sequel to the original “Jungle Book” film. So maybe that means there’ll be new things, new adventures, new characters, you know, something, anything new. There’s hope in that.

12. Prince Charming

Sure, why not make a movie about Prince Charming? Nobody even knows his real name. Maybe Charming is his name. If it is, that’s unfortunate. If the film is tongue-in-cheek, it could be a hoot. If it’s taken seriously, it’ll be a bore.

11. The Sword in the Stone

King Arthur has been done so many times. There doesn’t really need to be another movie. But Disney’s animated “The Sword in the Stone” isn’t really a classic so you can give some leeway to the creative team to make the material it’s own. Plus there are lots of opportunities for strong visuals and a solid story of a boy king and Merlin.

10. Snow White

Sure, why not. Remake Snow White. The dwarves will be cool. I’ll bet that evil queen will be badass. At least rinse the taste of the “Huntsman” movies out of our mouths.

9. Aladdin

Ugh. Remake “Aladdin”? How are you going to keep this from being racist? And who could possibly do Genie with Robin Williams gone? This is one of those, “If they’re going to do it, make it different.” Make the Genie evil and do some forty thieves stuff.

8. Beauty and the Beast

This one has the potential to be just plain creepy. Hermione falling in love with a hulking CGI bison? Sure, it looks pretty, but what could this possibly add that’s different?

7. The Little Mermaid

How are they going to make this work? Like how? I don’t understand.

6. Tinker Bell

Oh, dear God. Just… the horror.

5. Pinocchio

Anybody remember that Jonathan Taylor Thomas movie? Yep.

4. Winnie the Pooh

There’s talk that it will be an adult Christopher Robin. Having him chatting with a CGI Pooh bear and friends won’t give anyone nightmares…

At this point, how can any sane person think any of these are a good idea? This isn’t even fun to joke about anymore.

3. Cruella

Maleficent got her own movie to show her good side, so of course the next logical choice goes to… Cruella deVille! I’m sure it will be easy to empathize with a psycho who wants to murder animals and then wear them. With Emma Stone set to star, what could possibly go wrong?

Seriously, what could happen in this movie? Does she have a secret heart of gold or something? Is she the villain? Wouldn’t that just make this a straight up remake like the Glenn Close one? I don’t get it. How could this possibly work?

2. Dumbo

Reasons this will be terrible other than the obvious: This movie has Tim Burton attached to direct it (mic drop).

1.The Lion King

Has Disney really sunk this low? One of their most beloved animated classics, a film that has practically no flaws… sure, let’s go ahead and remake it with a bunch of fake-looking CGI animals. This one has already caused an uproar (ha ha) because no good can come of it. It’s almost unfathomable what a poor decision to remake “Lion King” is; the only question anyone can fathom is, why?