“Like Father” follows the story of Rachel (Kristen Bell), a career woman whose fiance, Owen (Jon Foster), leaves her at the altar. When her lost father, Harry (Kelsey Grammer), shows up out of the blue and tries to reunite with her, they delve into booze and wind up on the honeymoon cruise she was supposed to go on with Owen. Now trapped on a boat and with nowhere to go, both Rachel and Harry must try to mend the fences that pushed them apart.
The film is sweet nearly to the point of schmaltz, teetering right on the edge of soap opera, but just barely not going over it. Grammer and Bell are great and bring a hefty amount of regret, nervousness and acceptance to their roles. Their co-stars, a collage of honeymooners and newlyweds, are entertaining, but somewhat stereotypical and could have been fleshed out a bit more.
Sometimes feeling a bit like an ad for Carnival cruises, the film does a good job of using the trappings and corniness of the cruise to bolster the film’s message of feeling release and overcoming the persona we give to others.
What’s missing is a sense of comedy and build-up. Rachel is annoying, combative and high-strung. Harry is solemn, regretful and nervous. There are plenty of opportunities for them to butt heads on the cruise (“How did we get here?” “I don’t know where here is.” “It’s a boat.” “What kind of boat?” “Does it look like I know what kind of boat?”, etc.) and get some laughs out of the audience. There’s a few funny lines and instances, but neither really gets on the other’s nerves enough to generate comedy. The film feels like it’s trying to be a dramedy, but can’t quite get there.
And the film doesn’t have much arc. Harry and Rachel meet. They end up on the ship. They reconcile. The End. There’s a little bit of a secret Harry is hiding, but it’s resolved pretty easily and doesn’t contribute to a major falling out between the characters. It’s all rather ho-hum and the story could have gone further to build up obstacles that the characters need to overcome.
But it’s hard not to be overcome by the film’s charm. It wears its heart on its sleeve and Grammer and Bell work seamlessly as father and daughter, full of regret and hope. For a world of cinema so often focused on explosions and sequels, it’s nice to just watch a simple story that takes place over a week on a cruise ship.