‘Lady Bird’ a well-made, if familiar coming-of-age tale

Greta Gerwig’s impassioned look at youth coming of age in 2002 is being hailed as one of the best films of the year. I’m not sure I’d go that far, but it is certainly a very well-made movie.

Lady Bird’s real name is Christine (Saoirse Ronan), but she refuses to go by it. She spends her final high school year arguing with her mother (Laurie Metcalf), trying to find the perfect boyfriend and fitting in with the ‘cool’ kids in the rich neighborhood. In a Christian school, she yearns to break out of her Sacramento upbringing and hit the East Coast. As the pressures of life mount, it seems as though she is trying to be anyone but herself.

Saoirse Ronan is terrific in the lead role, totally encapsulating the angst, desire and anguish of youth. Her confrontations with her mother are heated yet loving.

There are some chuckles throughout a story that primarily focuses on the bonds we have with others and have they influence us. Lady Bird’s relationship with her mother, father, brother, best friend, the cool girl at school and various boys all test the boundaries of how she defines herself. It is a very universal story of acceptance of oneself.

There’s a lot to like about the film, but it is not really anything we haven’t seen before. There’s great writing, strong directing and powerful acting, but not much in the way of original ideas.

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