“Minions” is a boring cashgrab

The appeal of the minions in the Despicable Me series is that they’re funny. When the action and drama takes place, they are there for the comic relief and for a bit of heart as well, reinforcing the emotion of Gru or his adopted daughters. So when they are given their own separate film minus their usual co-stars, something is inherently missing right off the bat. They’re not funny anymore. And that, for an animated film, is deadly.

Minions begins with the formation of the minions, at the dawn of life on earth. They have always sought out the biggest, baddest being to serve, but almost always unwittingly causing their leader’s downfall. They go into a form of self-exile, lost without their life’s purpose. Three minions, Kevin, Stuart and Bob, set out to find a new boss in the summer of 1969. They find Scarlett Overkill (Sandra Bullock) and her husband Herb (Jon Hamm) who stage a plan to steal Queen Elizabeth’s crown.

There was such heavy promotion for the film that nearly all of the best parts have already been seen by the viewer by the time they get to the theater. The result is a harmless and pretty forgettable outing with everyone’s favorite sidekicks.

This is the main problem: the minions are sidekicks. They work best when they are reacting rather than initiating the plot. Viewers will yearn for Gru, Agnes and the others and the emotional pillar they represent. For reference, think to Johnny Depp as Jack Sparrow or the Hulk; they work best as part of an ensemble, a supporting player, not as the main character (to highlight just part of the problems with Pirates of the Caribbean: On Stranger Tides and the two solo Hulk films).

The rest of the film is uninspired. That may actually be worse than being a terrible film; you at least remember a terrible film. Minions is instantly forgotten upon leaving the theater.

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