‘Deadpool’ proves not all superhero films have to be the same

With superhero films flooding the marketplace, it was only a matter of time before someone made the anti-superhero film, a movie that takes all the signature tropes of the genre, presents them to the audience and then, almost literally, takes a steaming dump on them. That movie is “Deadpool.”

Wade Wilson (Ryan Reynolds) is a smart-mouthed mercenary who falls in love with a stripper named Vanessa (Morena Baccarin). When he is diagnosed with terminal cancer, he volunteers for an experimental procedure run by a madman, Ajax (Ed Skrein). The procedure mutates his appearance, cures his cancer and gives him instant healing ability, but Ajax intends to use Wade as a slave. He escapes, but is horribly disfigured. This pushes him to don a mask and become the “superhero” Deadpool.

Much like Robert Downey Jr. as Iron Man and Hugh Jackman as Wolverine, it is hard to picture anyone else other than Ryan Reynolds as the titular character. He inhabits the role of the snarky, wise-cracking hero with ease, simply becoming the character that fans have envisioned for years.

The violence is extreme, the language and innuendo filthy, and there are so many inside jokes about the genre that some might go right over the casual moviegoers head, but it all works because of the lighthearted tone and the charismatic lead. It is a near-perfect blend of Hollywood glamour meets counter-culture, a big-screen extravaganza that appeals to the disillusioned outsider in all of us. While it is not ground-breaking or terribly original in terms of plot, it is a lot of fun and serves as a welcome breath of fresh air in comparison to the more droll and serious fare of superhero films (*cough* Batman v Superman *cough*).

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