Directed by Ridley Scott, “The Martian” tells the tale of Mark Watney (Matt Damon), an astronaut presumed dead and left behind by his crew on the planet Mars after a sudden storm. Only Mark is still very much alive. Tasked with surviving the harsh Martian climate while trying to contact Earth for a rescue mission, Mark uses every scientific tool at his disposal, from creating fertile soil to digging up an old rover to connect with NASA.
“The Martian” feels like the third of a series of resurgent films on space, with “Gravity” (2013) and “Interstellar” (2014) coming before it. In comparison to those earlier films, “The Martian” is the lightest, filled more with the hope of success and scientific wonder than with pontificating on etherealism. So in that way, “The Martian” is more of a good-old-fashioned crowd-pleaser, enjoyable but somewhat more forgettable than “Gravity” or “Interstellar”.
Damon is very good in the title role, narrating what he is doing to a computer screen for record keeping and the rest of cast, including Jessica Chastain, Jeff Daniels, Kristen Wiig, Kate Mara and Michael Peña, are also solid.
What the film does have going for it is a contagious adoration of science. As Mark uses every single item at his disposal to make himself food, transportation and communication, the viewer is tickled to see so many science experiments come to life. In a way, it is the most exciting science fair put to screen, a film Bill Nye himself would stamp with approval.
What’s missing is a personal tug of emotion with Damon’s character. There’s no lover awaiting him on Earth or daughter without a father. His background is not examined and that is a missed opportunity to establish an audience connection, something that really makes you pull for him to get off Mars.
While some will consider the film just a version of “Cast Away” (1999) in space, there is a lot of technique and charm in Scott’s direction of the film. It is a thrilling, if light, ride.