‘Get Out’ delivers interesting social commentary

Horror movies like “The Wicker Man” and “Invasion of the Body Snatchers” use the “you” against “the world” formula to generate their scares. There’s an eerie strangeness to everyone knows something that you don’t, and everyone is out to get you. What Jordan Peele has done with “Get Out” is to take those same principals and apply them to current themes of race relations.

Chris (Daniel Kaluuya), a black man, is nervous about meeting his white girlfriend’s parents. Rose (Allison Williams) tells him that everything will be fine. They voted for Obama. Everything will be great. When Chris gets to this faraway, secluded wilderness house however, things start to unnerve him. The black help there don’t act black. They act downright bizarre. The white people ask him probing questions. Rose’s mom, Missy (Catherine Keener), claims that she can hypnotize Chris so that he’ll stop smoking. Her dad, Dean (Bradley Whitford), introduces him to a bunch of the family friends in a very strange manner. As Chris learns more and more about those around him, a terrible secret is revealed.

Blending horror and comedy, the film succeeds as biting satire by posing the truth that even though you may not be overtly racist like a Ferguson cop, you can be racist in a very polite, complimentary way. Who knows if any of this based on Peele’s personal experiences or if it’s just a crazy idea he thought up one night, but the film asks interesting questions about what it means to be black, the white eye in regards to black identity and the forces at work behind the friendliest of smiles.

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