To call “Logan” different from any other superhero movie would be a disservice. It shouldn’t even be considered a superhero movie at all. A tale this sorrowful and this bone-deep can only be considered a Western and set across the backdrop of the American West, that is exactly what it is.
Directed by James Mangold, “Logan” begins with the titular character (Hugh Jackman) in a rut. No mutants have been born in years. He works as an limo driver just to make small change. He cares for Charles Xavier who is ancient and suffering from some sort of mental deterioration. When a young girl, Laura (Dafne Keen), comes to him for help, Logan takes Charles’ advice and tries to deliver her to safety from a group of thugs known as the Reavers.
Both Jackman and Stewart have stated that this is their last hurrah in their famous roles and it’s easy to see why, as it gives both characters closure in highly dramatic ways. With a relationship that started in 2000’s original “X-Men”, the film completes the complex arc between them: teacher and student, captain and soldier and father and son. Charles has been trying to find Logan’s humanity throughout the course of nearly ten films and to help him feel joy and completeness once again. Is Logan more animal or man and can he ever recover from a lifetime of pain? The film finally answers that question. Indeed, the finale shows Logan literally fighting with “himself.”
Filled with despair and longing, “Logan” is radically different than previous X-Men films, so much so that it is a tad disorienting. It is welcome in one way because it offers closure, something so few superhero films do anymore. This is definitively the end of the modern-day X-Men as we know them, a blistering monologue on the value of life in old age and the pain of regret. It is incredibly heavy stuff.
And it is incredibly well-timed. It is a film about inclusion, about accepting hope in a bleak world. Logan has to save the last remnants of mutantkind as they search to cross a border to a better world, eerily evoking current times and our need to be a haven for those struggling.
It is not a perfect movie, with some of the violence taken a bit too far and even drawing a few laughs for its over-the-topness. And the lack of any hope really drags on the viewer as I checked my watch a couple of times with just a few too many look-at-the-valley shots. It seems to revel in its misery too much.
I personally enjoy a bit of humor and fun in my X-Man movie, but there’s no denying the emotional power and beautiful story that Mangold and crew have made here. It is a haunting journey of finding retribution in a world of despair, one that will linger with you for long after. Knowing the X-Men universe, death is never really permanent, but for Jackman and Stewart, their journey with these characters ends here, and it is solemnly graceful.