I did not see Fox’s recently opened Fantastic Four this weekend. More than likely, you did not either. That’s all right. Most everyone didn’t. As soon as the first reviews started coming in late last week, signs pointed towards a disaster. Not only were they negative, they were downright cruel. Peter Travers of The Rolling Stones said, “The latest reboot of the Fantastic Four – the cinematic equivalent of malware – is worse than worthless. It not only scrapes the bottom of the barrel; it knocks out the floor and sucks audiences into a black hole of soul-crushing, coma-inducing dullness.” A.O. Scott of the The New York Times similarly reported, “Ms. Mara disappears. Her character also has the power to make other things vanish. I would say she should have exercised it on this movie, but in a week or two that should take care of itself.”
What went wrong? How could Marvel Comic’s original flagship superhero team flounder so poorly again cinematically (the 1994 and 2005 films are similarly awful)? It is the classic story of Hollywood greed and incompetence.
20th Century Fox was about to lose the rights to the Fantastic Four franchise unless they released another film, and, rather than lose them for nothing back to Marvel, they rushed into production on a stopgap film. Suffice it to say, a rushed production for purely financial reasons is never a strong way to create a good movie.
There was hope in the beginning though. Director Josh Trank was hired, he of the indie hit Chronicle (2012). Up and coming actors such as Miles Teller, Kate Mara, Michael B. Jordan and Jamie Bell were cast in the lead roles. With that talent brought together, a hit seemed assured. The first trailer promised a darker tone and teen angst. This was a new version of the beloved superhero team, one that seemed to take them seriously. And then the rumors about the shoot started to creep up online.
The Hollywood Reporter reported that Trank was aloof on set, often isolated. It was rumored that he was in over his head, often unsure of his decisions and unable to answer questions to cast and crew. It was even rumored that things got so bad that producers Simon Kinberg and Hutch Parker were forced to step in and finish the film, with reshoots as recently as just three months ago. Trank had been rumored to be a frontrunner for one of the upcoming Star Wars films. He has since been removed from consideration.
As the first awful reviews started coming in, Trank took to Twitter, posting that, “A year ago I had a fantastic version of this. And it would’ve received great reviews. You’ll probably never see it. That’s reality though.” The tweet has since been removed.
Whether Trank was in over his head or the studio interfered too much, it doesn’t really matter. The final product is apparently a Frankenstein-esque bore.
Early estimates for the weekend indicate that the film made $26.2 million for the weekend, a pathetic showing compared to the $191.2 million that Avengers: Age of Ultron opened to or the $57.2 million that Ant-Man earned. Even audiences who saw the movie gave it a measley C- cinemascore (for comparison, Pixels, a widely panned Adam Sandler film, received a B from audiences). It is highly unlikely, even with the international box office, that Fantastic Four will earn any profit, and a planned sequel and mashup film with the X-Men will almost surely never happen.
Hopefully, Fox will come to their senses the next go around and just let the Fantastic Four movie rights lapse back to Marvel. After their third failed attempt to jumpstart a ‘Fantastic’ franchise, Marvel fans deserve better.